In 1975, he wrote the script for Obsession for Brian De Palma. Robert Towne, best known for Chinatown, also received a credit for his rewrite.Īlthough The Yakuza failed commercially, it brought Schrader to the attention of the new generation of Hollywood directors. The film was directed by Sydney Pollack and starred Robert Mitchum. The script became the subject of a bidding war, eventually selling for $325,000. In 1974, Schrader and his brother Leonard co-wrote The Yakuza, a film set in the Japanese crime world. Renoir's The Rules of the Game he called the "quintessential movie" which represents "all of the cinema". Other film-makers who made a lasting impression on Schrader are John Ford, Jean Renoir, Roberto Rossellini, Alfred Hitchcock, and Sam Peckinpah. His book Transcendental Style in Film: Ozu, Bresson, Dreyer, which examines the similarities between Robert Bresson, Yasujirō Ozu, and Carl Theodor Dreyer, was published in 1972. Schrader first became a film critic, writing for the Los Angeles Free Press and later for Cinema magazine. in film studies at the UCLA Film School upon the recommendation of Pauline Kael, who encouraged him to be a film critic. in philosophy with a minor in theology from Calvin College, but decided against becoming a minister. Schrader attributes his intellectual rather than emotional approach towards movies and movie-making to his having no adolescent movie memories. In his own words, he was "very unimpressed" by it, while Wild in the Country, which he saw some time later, had quite some effect on him. In an interview he stated that The Absent-Minded Professor was the first film he saw. He did not see a film until he was seventeen years old, when he was able to sneak away from home. His early life was based upon the religion's strict principles and parental education. Schrader's mother was of Dutch descent, the daughter of emigrants from Friesland, while Schrader's paternal grandfather was from a German family that had come to the U.S. Schrader's family attended the Calvinist Christian Reformed Church. Schrader was born in Grand Rapids, Michigan, the son of Joan ( née Fisher) and Charles A. His three most recent films have been described by Schrader as a loose trilogy: First Reformed (2017), The Card Counter (2021), and Master Gardener (2022). The success of Taxi Driver in 1976 brought greater attention to his work, and Schrader began directing his own films beginning with Blue Collar (co-written with his brother, Leonard Schrader). He then worked as a film scholar and critic, publishing the book Transcendental Style in Film: Ozu, Bresson, Dreyer (1972) before making the transition to screenwriting in 1974. Raised in a strict Calvinist family, Schrader attended Calvin College before electing to pursue film studies at UCLA on the encouragement of film critic Pauline Kael. Schrader's work frequently depicts troubled men struggling through an existential crisis that is then punctuated by a violent, cathartic event. Schrader has also directed 24 films, including Blue Collar (1978), Hardcore (1979), American Gigolo (1980), Cat People (1982), Mishima: A Life in Four Chapters (1985), Light Sleeper (1992), Affliction (1997), and First Reformed (2017) the latter earned him his first Academy Award nomination. He later continued his collaboration with Scorsese, writing or co-writing Raging Bull (1980), The Last Temptation of Christ (1988), and Bringing Out the Dead (1999). He first became widely known for writing the screenplay of Martin Scorsese's Taxi Driver (1976). Paul Joseph Schrader ( / ˈ ʃ r eɪ d ər/ born July 22, 1946) is an American screenwriter, film director, and film critic. Laurel Award for Screenwriting Achievement
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